e n

Laxmanpur-Bathe: Upper-caste men still threaten survivors of the massacre

-The poll bugle has been sounded in Bihar. Far from the din of the tall claims and the impossible-to-fulfil promises, Seetu Tiwari visited the survivors of the Laxmanpur-Bathe massacre scripted by the Ranveer Sena on 1 December 1997. The horrific scene is still fresh in their minds and they still await justice

Punia Devi, now 37, was widowed even before she could see the face of her husband. It was 1997 and Shivkailash Chaudhary, a resident of Laxmanpur-Bathe, had just returned to his village after his marriage at Kera village in Aurangabad district. As was the tradition, the bride and the groom were not allowed to see each other’s face during the wedding ceremony. Punia could not see the face of her husband even after his death. 

READ THE FULL ARTICLE HERE: Laxmanpur-Bathe: Upper-caste men still threaten survivors of the massacre

About The Author

Seetu Tiwari

Seetu Tewari is a senior independent journalist who contributes regularly to TV and radio news channels, and newspapers and magazines.

Related Articles

When Jotirao Phule came to Dayanand Saraswati’s rescue
Inviting Dayanand to Pune and helping him expand his footprint in Maharashtra was a pragmatic move on the part of Ranade and other Brahmin...
Vijay Varma plays his part in Nagraj Manjule’s realistic portrait of 1960s-70s Bombay
‘Matka King’ is a confident, character-first swing by a director in the process of expanding his range. It celebrates the intoxicating dream of upward...
Bastar’s aspirational Adivasi schoolchildren have few viable futures
This contradiction lies beneath the language of ‘mainstreaming’. State institutions encourage young people to become disciplined, aspirational, and future-oriented, even while the opportunities available...
Sarhul: Reverence for nature informs this Adivasi farming festival
At a time when the world is obsessed with “Paris Accord” and “carbon footprint”, the philosophy underlying Sarhul offers a simple yet infallible solution...
‘Gail and Bharat’: An intimate portrait of solidarity with the public
There is an informal feel to Somnath Waghmare’s filmmaking that is worth noting. Waghmare himself appears in several of his films, camera in hand,...