e n

The message in ‘Godan’: Indian society revolves around the caste system

While rereading Premchand’s classic Godan, Siddharth observes that two works of different genres – The Annihilation of Caste and Godan – published in the same year, 1936, underlined the fact that the varna-caste system is the pivot of Indian society

To qualify as a classic, a novel has to creatively mirror the core reality of its times. Marx and Engels used to tell their friends that if they wanted to understand the rise of capitalism in France they should read novels of Balzac instead of poring over the dreary accounts of economic historians. Marx wrote that he owes his knowledge of the history of France more to Balzac’s works and less to the writings of the French chroniclers.

READ THE FULL ARTICLE HERE: The message in ‘Godan’: Indian society revolves around the caste system

About The Author

Dr Siddharth Ramu

Dr Siddharth Ramu is an author, journalist and translator. His books include ‘Samajik Kranti ki Yoddha Savitribai Phule: Jivan ke Vividh Aayam’ and ‘Bahujan Navjagran aur Pratirodh ke Vividh Swar: Bahujan Nayak aur Nayika’. He has translated Badrinarayan’s ‘Kanshiram: Leader of Dalits’ under the title ‘Bahujan Nayak Kanshiram’ (Rajkamal Prakashan). He has also edited and annotated Ambedkar’s ‘Jati ka Vinash’ (translated by Rajkishore, Forward Press)

Related Articles

Sarhul: Reverence for nature informs this Adivasi farming festival
At a time when the world is obsessed with “Paris Accord” and “carbon footprint”, the philosophy underlying Sarhul offers a simple yet infallible solution...
‘Gail and Bharat’: An intimate portrait of solidarity with the public
There is an informal feel to Somnath Waghmare’s filmmaking that is worth noting. Waghmare himself appears in several of his films, camera in hand,...
Casteism among Muslims and the battle for rights
This book ‘Pasmanda Jan Andolan 1998’ becomes even more relevant in the context of the current sociopolitical scenario. The representation of the Pasmandas in...
Privilege with a bruise: What Manu Joseph gets wrong about dark skin and caste
An upper-caste man with dark skin like Laxman Sivaramakrishnan may experience symbolic downgrading in certain interactions. Yet the architecture beneath him remains intact. His...
Savarna sympathy, Dalit erasure: A critique of cinematic morality in Telugu film ‘Dacoit’
By the time viewers leave the theatre, the Dalit protagonist’s fate does not register as the consequence of caste transgression, of loving across rigid...