Kancha Ilaiah Shepherd’s first foray into fiction is a courageous declaration that the oppressed, too, have the right to imagine, narrate and reclaim their own civilizational inheritance, writes Satya Sagar
With her husband no more and remarriage appearing impossible, the woman in Meera became articulate. Before considering any other aspects of her, Meera should be treated as a woman whose desires could not be fulfilled...
Although Guru Ravidass was already a revered figure among the Untouchable community of Punjab, it was the Ad Dharm movement that used images of Guru Ravidass to great effect to concretize the newly conceived lower-caste...
Meera shedding social inhibitions was not about quitting royal life and embracing a spartan existence; it was about a widow being drawn to a man, loving him, and wanting to marry him, writes Kanwal Bharti